“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe when you look at the work of Piotr Szulkin… the movies thrive on imaginative vision and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.
A manager, screenwriter, novelist, theatrical director, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the late ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential tales, absurdist parables, or premonitions about contemporary society’s hostility while the evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.
One of several biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new restorations that are digital brought in movie images. The show showcases most of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War of this Worlds: Next Century, a reimagining for find a new wife the H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the rest of the survivors of the nuclear apocalypse while they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered on a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on modern Poland when you look at the aftermath regarding the Communism Szulkin criticized throughout his job. Also, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and so are $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center people. Save utilizing the purchase of three seats or maybe more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All screenings occur during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal parts coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, therefore the concept of the family that is nuclear.
Preceded by: brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world is now therefore wonderful that only prisoners can be used for the high-risk company of room exploration, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for a apparently condemned objective to an uncharted earth. Upon his arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he is welcomed by the population as a “hero,” an ignominious honor, he quickly learns, that is included with a many barbaric fate. Using the film’s properly nonsensical name from the babble of their child daughter, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in certain dystopian future, researchers make an effort to produce a fresh, flexible battle of humans. an apparently ordinary item for the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab bloc architecture that is soviet. Szulkin’s bold function first, styled in sepia tones and dramatic lighting, is called a precursor to Blade Runner , but its name additionally looks back once again to a more ancient misconception of creation and morality.
Preceded by: New restoration that is digital Gal and also the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter with all the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free beer) simply to institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dose of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an musician whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. They truly are spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, to some extent, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to prevent total collapse. Involved in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false promises of politics and faith that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s follow-up to Golem starts aided by the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) whilst the sound of these 1984 -esque propaganda device. But once Iron dares to set off message, he makes an enemy also more than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial legislation and instantly prohibited, The War regarding the Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm